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Edited by marie. - 14/11/2013, 22:30. -
marie..
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+ BANG BANG MUSIC VIDEO
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Edited by marie. - 16/11/2013, 17:58. -
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Iniziano a stressarmi tutte ste foto che escono separatamente XD . -
Ilithyia Laeta 86.
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Lo devono ancora fare in televisione e ci sono già i dettagli della colonna sonora!
Tutte le informazioni sono a questo link, se vi interessa:
http://filmmusicreporter.com/2013/11/16/bo...ils/#more-21220. -
.CITAZIONE2. Chicken Thieves/I Was Born/Bonnie’s Theme (3:30)
3. First Robbery (1:49)
4. Welcome To The Speakeasy (source) (0:59)
5. Speakeasy Raid/Prison Escape/Lovemaking/Love At First Sight (3:15)
6. Sometimes Fate Steps In/The Ballerina (2:29)
Cioè già i titoli sono spettacolari. Secondo me questo B&C sarà bellissimo!. -
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La colonna sonora pare splendida ! Si , essendo BBC penso che la sua riuscita andrà alla grande, oltretutto Holly è davvero BELLIFFFFFFIMA!! . -
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Ragasse quanto vorrei farvi vedere il doc che ho visto io, lo passarono uno o due anni fa mentre facevo l'albero di Natale XD se vi va è su SPOILER (clicca per visualizzare)COFFemuleCOFF
Questi qui sono troppo glamourizzati, erano sorta di dilettanti allo sbaraglio che a volte rischiavano la vita per rubare pochi dollari. Clyde era almeno abile nel darsi alla fuga ed era un bravo sparatore, ma cercava di non uccidere mai, soprattutto innocenti (ma i rappresentanti della legge sì). A volte dopo una rapina si portava a passeggio una vittima, la disarmava e poi la liberava. Voleva essere un nuovo Jesse James. Però lo fregava Bonnie che a un certo punto aveva preso gusto ad essere famosa XD In effetti la miniserie facendo di Bonnie un'aspirante attrice non sbaglia neanche tanto, ma in realtà più in generale a Bonnie piaceva la fama. Comunque erano innamorati pazzi e la cosa triste è che non sono stati sepolti insieme =(
Comunque sembra che i loro cadaveri fossero stati esposti e i curiosi andarono a rubacchiare pezzi di loro, compreso un orecchio!. -
princessofdarkness39.
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Sono molto curiosa di vedere questa miniserie sembra molto interessante . -
marie..
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marie..
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CITAZIONEEmile Hirsch (Speed Racer) and Holliday Grainger (The Borgias) are electric in the title roles, and they share the screen with such luminaries as William Hurt, who plays the pair’s dogged pursuer (and eventual executioner), retired Texas Ranger Frank Hamer; Holly Hunter as Bonnie’s beleaguered mother; Modern Family star Sarah Hyland as Clyde’s sister-in-law Blanche; and Elizabeth Reaser (The Twilight Saga) as an unscrupulous reporter tracking the gang.
Taking a much grittier and at times more somber approach, the miniseries includes all those pesky, unromantic details the film leaves out, including Bonnie’s pre-Clyde marriage, Clyde’s brutal stints in prison, and Bonnie’s injuries from a car crash during their spree.
“You see how Bonnie and Clyde become Bonnie and Clyde,” Hirsch says. “You see the economic reasons why both of them are the way they are. You see why Bonnie was attracted to Clyde, and it really answers … why Clyde was so murderous. Why did he kill so many people? How did he get that way? You see how much prison affects Clyde, and that’s something that really helps fill in the blanks for a lot of people, to how someone could get to the place where they could do these horrible things.”
Meet “Clyde” — Emile Hirsch
Hirsch has played his share of real-life characters in films like Into the Wild, Milk and the upcoming Lone Survivor, but those were all stories of more recent vintage where access to friends, family members and sometimes even video footage was readily available. To play Clyde, he had to rely mainly on biographies, most notably Jeff Guinn’s Go Down Together. One source he purposely did not consult was Beatty’s performance, which he didn’t watch till after production wrapped. When he finally did, he was shocked at its “jokey” nature, which stands in stark contrast to the character he created.
“My version of Clyde was so much more about him wrestling with demons,” Hirsch says. “At times Clyde was almost demonic, but I felt like he still felt bad at times. He made a lot of excuses as to why he did certain things, and I think he was probably a bit of a sociopath. He was definitely a very impulsive person, but he truly did love Bonnie, and that was the thing that was unshakable for him. He had no problem stealing. He would kill and usually not show all that much remorse. … He’s a murderer. But I think there’s something really tragic about him.”
Meet “Bonnie” — Holliday Grainger
For Grainger, the chance to put on Bonnie’s beret was a natural — and thrilling — progression in her streak of playing notorious women. She says her time as Lucrezia Borgia in Showtime’s The Borgias and as Estella in 2012’s Great Expectations felt like “training” for Bonnie. But there still was plenty she found intimidating about the role.
“That was terrifying, being British and having someone go, ‘For your first American role ever, play an American icon and do it well,’” Grainger says.
She had seen Dunaway’s portrayal but knew this was a different enough interpretation that she says she wasn’t worried about making it her own. Her research consisted largely of biographies, as well as Bonnie’s own words from diary entries and letters to Clyde while he was in prison.
“She was just so young!” Grainger says. “In her diaries, she came across like a real young, innocent-like mother’s girl, and that contrasts so much with the murderer that we know.
“But just coming from that time period where there was such a deep depression and no opportunities at all for women apart from maybe she can be a waitress or secretary if she was very lucky. … Her mom describes her as having this real maturity when she talked about death, like it was completely inevitable and that it was fine, that was what they had chosen. That short burst of life and excitement, she wanted that more than a humdrum, dull existence. It struck me.”
Bonnie & Clyde airs 9pm Dec. 8-9 on A&E, History and Lifetime.
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marie..
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CITAZIONEThe film, starring Emile Hirsch ("Into the Wild") and Holliday Grainger ("The Borgias"), is directed by Bruce Beresford ("Breaker Morant") and airs Sunday and Monday on three channels at the same time: Lifetime, the History Channel and A&E. There's no reason for anything to air on multiple channels at the same time, especially with the ubiquity of DVRs, but the gimmick is meant to pump "Bonnie and Clyde" up to "TV event" status.
It doesn't begin to qualify as that, but it has its moments.
Parker met Barrow in Texas when they were barely out of their teens. She had a passion for writing doggerel poetry and aspired to be a Hollywood actress. He had racked up a string of relatively minor crimes that got him sent to prison, where he killed a fellow inmate who had repeatedly raped him.
Their crime spree lasted only two years, but Parker and Barrow were quickly mythologized by the press, much as other outlaws became objects of fascination for the Depression-era public. But if some people thought of Bonnie and Clyde as two kids on a bank-robbing lark, defying the economic hard times of the '30s, public attitude shifted as innocent people were killed.
Weird touches
You can't tell the story of Bonnie and Clyde without mythology, but apparently you can tell it superficially if you subject it to Beresford's sometimes goofy direction and a just adequate script by Joe Batteer and John Rice. The obvious parts of the mythology are here, including Bonnie posing with a cigar in her mouth and her foot perched on a car bumper, and the sensationalism that marked so much of the contemporary press coverage of the pair.
But then we get these wacky flourishes from Beresford that seem meant to dump a load of supernatural fatalism on the tale. Clyde, known to his mother (Dale Dickey, "True Blood") as her "little ray of sunshine," is said to be gifted with "second sight," which manifests itself in less than credible visions - an angelic Bonnie gamboling in slow motion in a sunny field even before he's met her, a fluffy white rabbit staring at Clyde's bullet-riddled body in a bathtub. There's also a recurring image of Clyde sitting in a movie theater, watching Bonnie, apparently transformed into Zelda Fitzgerald, ballet dancing in black and white.
The script is workmanlike rather than inspired or in any way profound. It takes a huge leap in the end suggesting that Barrow intentionally returned to northern Louisiana in 1934 knowing they'd be ambushed and killed by retired Texas Ranger Frank Hamer (William Hurt). Oh, and for those worried about death? Chillax: Apparently, you just keep on yapping about why you died and what a bummer it was even if you've been turned into Swiss cheese by a hail of bullets.
Boy, that's a relief, isn't it? Here I thought death was about as final as you can get.
read moreCITAZIONE“It’s the ultimate romance, of scorning the world for each other, of [being] anti-establishment, there for each other,” gushed Holliday Grainger, who plays Bonnie Parker, the film’s titular femme fatale. “True love, especially first love, can be so tumultuous and passionate that it feels like a violent journey.”
Emile Hirsch had no trouble connecting with the timelessness of his role as Clyde Barrow. “They became these folk hero, ‘Robin Hood’-like figures that represented the pitch of what… the rest of the country felt.” Playing one half of a famous love affair with co-star Grainger wasn’t terribly difficult, either. “Holliday makes it really easy, because she’s so charming and sweet. You just have the feeling that you’d do anything for her.”
variety
Intervista alla make up artist:CITAZIONEContrary to what you may think, Bonnie Parker and Clyde Barrow were not Faye Dunaway and Warren Beatty—they were actually real, hardcore criminals who robbed both banks and people at gunpoint during the Depression. Almost a century later, they're still in the news. Actress Holliday Grainger plays Parker in the new miniseries Bonnie & Clyde, premiering December 8 on Lifetime, A&E, and History. We spoke with makeup artist Karri Farris to discuss how she transformed the actress into the gun-slinging criminal, albeit a beautiful one.
Faye Dunaway has become synonymous with Bonnie Parker. Did she influence how you interpreted the look for Holliday?
“I adore the movie and Faye Dunaway, and it was beautiful makeup, but I wanted to stay away from the look that she made iconic—definitely more '60s with the paler lips and the lashes. I wanted to make our own original work. We pulled photos of starlets from the time because that’s where she would have drawn her inspiration. Then we modernized it a little bit.”
What were some of the products you used?
“In photos, it looks like Bonnie doesn’t have a lot of eyebrow, but we didn’t want to take them off, so for Holliday’s specific look, we just filled them in with Tarte EmphasEyes and extended the ends down a little bit. We used Chantecaille Future Skin foundation to give her a little glow, and a light dusting of Chantecaille powder over the top. They were huge into powder back then—that’s what they used as their base—so I tried to make it little less heavy. We enhanced her cheeks with the Nars Orgasm Illuminator, used a purple-gray on the corners of her eyes to give them some depth, and added M.A.C. Shroom eye shadow on the brow line and above the iris."
What about her lips?
“We tried to find the actual lipstick that was in [the real Bonnie Parker's] cosmetics case. I called up the auction house, they called up the previous owners and the current owner, and it was just completely missing in action. We contacted a lipstick museum in Dusseldorf. We contacted family members. Eventually we ended up calling Three Custom Color cosmetics company, and they gave us five little pots of lipsticks—all various shades of red—that were recreated from what was available at that time. We also used Red Hot Red and Besame Red by Besame Cosmetics.”
Red lipstick can be so high maintenance.
“We have scenes that take place in a gazebo, there’s a whole little outdoor dance, then there’s another speakeasy scene and a wedding scene, and everybody had red lips. It left us with a team of makeup artists running around. Once you’ve got the lipstick on, you just chase that stuff all day long. Lipstick chaser.”
Did you learn anything interesting about Bonnie while doing research?
“She had a tattoo of her first husband on her thigh. It was two hearts, and it said ‘Bonnie and Roy.’ She must have gotten it between 1926 and 1930. For a female to have a tattoo on her thigh at that time, it’s just crazy. So we had a lot of fun with that, designing it and making sure it was period specific.”
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.CITAZIONEWhat could have been a disaster is not. Besides, not everybody has seen Penn's movie. And even if they have, perhaps they view another swing at the subject matter as less than blasphemy.
That said, no matter how different Beresford's take on the story is, the "why?" question never really fades away. It's a testament to Hirsch, who keeps Bonnie and Clyde grounded -- plus a solid script, for the most part -- that allows this movie to defy the odds. That doesn't make it great or even necessary, but wow, it could have been a lot worse.
The real problem with Bonnie and Clyde kicks in almost from the start. Rice and Batteer seem intent on focusing on this dubious notion that Clyde had a kind of "second sight" that is really the ability to see the future. Did he? Of course not. Maybe his grandmother thought so. Maybe Clyde thought so. But settling on that notion as a storytelling device is a mistake, because it's the biggest delineation between this adaptation of the story and Penn's classic. And projecting Clyde's visions of the future in dream-like scenes is never less than hokey and grinds Bonnie and Clyde to a halt every time the conceit is used.
hollywoodreporterCITAZIONEHirsch and Grainger may not have the star wattage and electrifying screen presence of Beatty and Dunaway — yet — but their performances are marvellous. Hirsch, a Topanga, Calif., native, gets Clyde Barrow’s Ellis County, Texas, accent down cold, and Grainger, much changed from her breakout performance in The Borgias, gives Bonnie Parker shades of depth and reserve that go beyond Bonnie & Clyde’s pulp origins. They click as an onscreen couple as spiritual and physical equals, with no one partner more dominant than the other.
Bonnie & Clyde is no classic, but Hirsch and Grainger provide reason enough to give it a try.
canada.comCITAZIONEWhat unfolds in this two-part miniseries directed by Bruce Beresford involves much more brooding about the main characters and the bond between them. While there is some attention paid to the Depression-era context, it’s more about the dynamic these two created that propelled them on their crime spree. It’s about fame and what makes people addicted to it.
Grainger is superb. Her Bonnie is a wannabe actress who adores the spotlight. Failing to make much of an effort to actually become a starlet, she sees criminal notoriety as the next best thing. Encouraged by her mother (Holly Hunter) to believe in her destiny, she delights in accumulating press clippings about her life of crime. She’s a force of nature – a young woman bored by restrictions and finding in Clyde the vehicle to transcend everything that limits her.
We also learn a good deal more about Clyde than in the 1967 movie, and how prison hardened him into a man prepared to abandon everything for the thrill of robbing and killing. Inevitably, of course, the drama becomes a chase. A retired Texas ranger, Frank Hamer (William Hurt), sees nothing glamorous about Bonnie and Clyde and is relentless in his pursuit.
The miniseries is no masterpiece. At times it feels like it is dutifully chronicling every robbery and killing in order to be accurate. But it looks gorgeous, and there’s depth in its examination of the psychology of fame and of how the expectations of the public will propel a fame-seeker into the gates of hell. And even when it drags a bit, Grainger’s Bonnie is someone you can’t turn away from – a femme fatale, a siren and, in a way, a feminist pushing at the limits imposed by gender and background.
theglobeandmailCITAZIONEA version of Bonnie & Clyde where Bonnie has all the agency sounds like it could be kind of feminist: Bonnie wore the pants! But in fact the series is totally misogynist, a fable about how a man should never let his woman do his thinking for him.
Bonnie’s ambition doesn’t complicate her, it simplifies her. As the movie goes on, she transforms from a woman with many desires — for love, for excitement, for a way out of a poverty, and for a deeply circumscribed life — into a sociopath who never really loved Clyde and cares about nothing but tabloid fame.
The movie ends with one very bizarre factoid: “40,000 viewed Clyde Barrow lying in state. Over 50,000 viewed Bonnie Parker.” God, how unfair, that to the end murderous Bonnie got more attention than well-meaning Clyde, the guy so decent he killed about a dozen people.
dailyfreemanCITAZIONEWere the miniseries well-made, its story might be engaging anyhow, in a bad-for-you-but-you-can't-stop-watching way. But the script, by Joe Bateer and John Rice, has no sense of shape; it's just a collection of things that happen en route to a preordained bloody ending. And Bruce Beresford, a workmanlike director who's made well-crafted historical dramas in the past (including the excellent Black Robe and Breaker Morant), is asleep at the switch here. The desperate and sometimes painfully clumsy editing keeps shifting into slow-motion for no discernible reason (if they're going for a "reverie" thing, it's not working). And some of the Oliver Stone–lite montage effects — such as splicing in random frames from earlier or later scenes — are embarrassing, because they seem less like attempts to shape the story (as Clyde's memory, perhaps) than to jazz up a project that for a variety of reasons stumbles right out of the gate.
This is four hours of your life you'll never get back.
vultures.comCITAZIONEBeresford gets decent performances from his cast, especially veterans Hurt as Frank Hamer and Holly Hunter (Top of the Lake) as Parker’s mother. Hirsch is quite good as Barrow, conveying his youth and comparatively more grounded view of life than Bonnie. Grainger gives in to overacting from time to time as she presents Parker as unhinged and cold-blooded, but she’s struggling against overwriting some of the time.
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Ohhhh ma hollyyy è bellissima !! Bello che la reputino superba, in effetti è un bel lavoro e se riesce a venir fuori poi potrebbe essere meglio che il film Grandi Speranze, in effetti la vedo meglio in questo ruolo ..! .